Keep gemstones deep and soulful with solid colour and raw, rounded or rough-cut finishes. Created from pyrite and silver, the high iron content and blackened texture lowers the value of this metal to subterranean levels. Marcasite is one of Dark Autumn’s best option for cool metallics. ![]() Some metals, like platinum, don’t colour much with age so are best avoided completely as they’ll never reach the low value level. Matte silver works and pewter is great but both need warming up. This season is where oxidised copper and brass come into their own.ĭon’t go near cooler metals unless they are tarnished to kingdom come. Generally, it’s just too pink and light but if you can find a dark or blackened version, all power to you! Even better if it’s the weathered, antique kind.īe careful with rose gold. This season is so dark and so heavy that anything shiny or reflective will look completely disconnected.Īll finishes really need to be very matte, opaque or textured to look their best. I haven’t found these two seasons to share many makeup colors successfully.The value level will make or break a piece of jewellery for a Dark Autumn. The success of this can depend on the size of the piece (an earring vs a sweater), where on the body the color is worn, and the individual in question. But in real life, a Dark Autumn may occasionally wear a Dark Winter burgundy, or a Dark Winter may reach for a Dark Autumn navy without feeling the effect too terribly. Technically speaking, colors belong to one palette or the other, and people will be most enhanced and magical in their own season. For lips, scorched reds like Estee Lauder Decadent or MAC Dubonnet are gorgeous.Ĭan these two seasons “cheat” with some of the same colors sometimes? For cheeks, contour and bronzer can be beautiful depending the individual’s skin tone, with copper-red blush like MAC Ambering Rose or NARS Taos. For eyeliner, Hourglass Bronze or MAC Teddy. Autumn eyeshadow palettes abound, and Dark Autumns will be flattered by colors like MAC Charcoal Brown and Woodwinked. And for lips, deep pomegranate shades like Bobbi Brown Red Velvet or MAC Russian Red are stunning.ĭark Autumn will go for an overall more blended look, with more tone-on-tone layering. For cheeks, smoked berry-rose like Surratt Rougeur or Fenty Cool Berry. Eyeshadows like MAC Blanc Type and Satin Taupe are at home here, along with eyeliners like Lancôme Black Coffee or MAC Photogravure. How do these two seasons wear their makeup?ĭark Winter will go for an overall cooler and “cleaner” look, with contrast between eyes, cheeks, and lips. The palette boasts colors such as marigold, paprika, and rich olive. The palette boasts colors such as eggplant, black coffee, and holly leaves and berries.ĭark Autumns will strive for a layered look instead of extreme contrast. Colors are sharp, intense, and slightly jewel-toned. The bone structure may look harsh, even vampiric.ĭark Winters can combine the dark and light extremes of the palette beautifully. Too-cool colors will turn Dark Autumn skin more ashy than it naturally is, sometimes adding blue to the lips or a hazy cast to the eyes. Bone structure may soften into a pudding. ![]() Shadows under the eyes or above the lips may be accentuated. Too-warm colors will turn Dark Winter skin more yellow than it naturally is. What happens when a Dark Winter wears Dark Autumn colors, and vice versa? That doesn’t mean Dark season people will necessarily look dark themselves, but they are enhanced by deeper colors in makeup and clothing. ![]() Dark Autumn doesn’t contain icy colors, and Dark Autumns are generally washed out by very light/bright colors like crisp white.ĭarkness is the most important characteristic of these two seasons. My rule of thumb is that if you have to ask if a color is icy, it’s not. Icy colors are light like pastels, but far more intense. One major difference between these two seasons is that Dark Winter contains “icy” colors: pure pigment with a drop or two of white added. Dark Winter is a Cool-Neutral season.ĭark Autumn has a base of True Autumn, with a dash of True Winter’s clarity and saturation. First, let’s explore their technical parameters:ĭark Autumn and Dark Winter are both situated between True Winter and True Autumn on the seasonal color clock, meaning that they are both blends of True Winter (cool, saturated, high contrast) and True Autumn (tawny, muted, medium contrast).ĭark Winter has a base of True Winter, with a dash of True Autumn’s warmth and richness.
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